Modifications of Women’s Representations in 1920s Georgian Soviet Silent Films : Orientalisation, Agency, Class

Tsopurashvili, Salome

Please use this identifier to cite or link to this item: https://dspace.nplg.gov.ge/handle/1234/542119

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DC Field	Value	Language
dc.contributor.advisor	Youngblood, Denise J.	-
dc.contributor.author	Tsopurashvili, Salome	-
dc.date.accessioned	2025-03-20T06:20:45Z	-
dc.date.available	2025-03-20T06:20:45Z	-
dc.date.issued	2016	-
dc.identifier.uri	https://dspace.nplg.gov.ge/handle/1234/542119	-
dc.description.tableofcontents	Acknowledgements -- Abstract -- Chapter I-Introduction -- Statement of the problem and the limitations -- Historical Context -- Literature Review -- The Aim of the Project -- Methodological Framework -- Outline of Chapters/Thesis Plan -- Chapter II-Class and Female Bodies’ Symbolic Meaning: The Murder Case of Tariel Mklavadze (1925), Bela (1927), Khanuma (1926) -- Overview of the context -- Murder Case of Tariel Mklavadze -- Bela -- Khanuma -- Conclusion -- Chapter III-Representing “East”: Orientalism, Story’s Sadism and Agents of Narration The Suram Fortress (1922), NaTela (1926), Giuli (1927), Eliso (1928) -- Overview of the context -- The Suram Fortress -- Natela -- Giuli -- Eliso -- Conclusion -- Chapter IV-Modification of Mother Figure and the Revolutionary Set: Arsena Jorjiashvili, (1921) Mother (1926) and Prison Cell 79 (1929) -- Overview of the context -- Arsena Jorjiashvili -- Mother -- Prison Cell -- Conclusion -- Chapter V-Meet the New Soviet Woman: Incompatibility of Femininity and Agency in Mikheil Chiaureli’s Saba (1929) -- Overview of the context -- Saba -- Conclusion -- Chapter VI-Invisible Queerness of Georgian Silent Cinema: Monstrous Femininity in Kote Mikaberidze’s My Grandmother (1929) -- Overview of the context -- My Grandmother -- Conclusion -- Chapter VII-Conclusion -- Relevance of selected data: -- Analysis -- Main findings -- Areas for Further Research -- Bibiliography	-
dc.format.extent	218 p.	en_US
dc.language.iso	en	en_US
dc.publisher	Tbilisi	en_US
dc.title	Modifications of Women’s Representations in 1920s Georgian Soviet Silent Films : Orientalisation, Agency, Class	en_US
dc.type	Thesis	en_US
dc.type	Thesis	en_US
dc.rights.holder	საქართველოს ეროვნული ბიბლიოთეკა	en_US
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